Thursday, April 26, 2018

A Memoir Told Through Time: Nikhil Madugula, Bharath Sreenivas, Sivam Bhatt, Amit Somalwar, Leon Li




“I don’t know. You’re gonna think I’m crazy. I just thought I knew what I felt about this place and now I’m all messed up,” Glidden says confused. In the critically acclaimed novel, How to Understand Israel in 60 Days or Less, Sarah Glidden realizes that the culture she is a part of is not known to her at all. In this week’s blog post, to unravel the internal complexities of Glidden’s firsthand experience in understanding her culture, we open Pandora’s box eliciting the details of the Israeli-Palestinian conflict. Glidden’s subconscious perception of Israeli lifestyle changes drastically as she sees the real Israel through her own eyes and slowly learns the truth about her culture’s safe haven.

Glidden’s Birthright trip encapsulates the complexity of the Israel-Palestine conflict. As we read the beginning of her memoir, it becomes apparent that she starts out antagonistic towards the Israelis. She regards the trip to be a medium by which Israeli propaganda can be dispersed. This perspective is understood when she visits the Golan Heights and describes the films shown as “heavy on propaganda.” We, as readers, favor Glidden’s side since we view Israel through her lens. However, as the novel continues, we discover that these films are the first step to understand the Israeli-Palestinian conflict. After spending time on the Birthright trip, Glidden’s perspective begins the change as she understands the reality of Israeli political situation.

When Glidden attends the guest speaker session in Jerusalem, she shares authentic stories of those who suffered from the Israeli-Palestinian conflict. As both Amit and Maha talk about their experiences, conveying that they had lost loved ones due to this international conflict, the trip members begin to understand the severity of the issue. We know that Glidden experiences pain and suffering and has no choice but to empathize with them as she recalls the death of her own loved one in a tragic accident. Glidden admires Amit and Maha for speaking up and thinks, “They allow themselves to go through [constant pain], talking to groups of privileged foreigners, hoping something will stick.” The conflict is no longer something distant, but something that hits close to home. But, what does this all mean and what does it lead to? We know what you’re thinking right now: “You’re killin’ me, smalls.”
Accordingly, we respond: “But, just you wait.” Glidden’s firsthand storytelling allows her to recognize that neither the Israelis nor the Palestinians are to be blamed entirely, and that there is no black or white answer to such a complicated situation. That is why Glidden had to rely on color to tell her story.


Glidden’s experience is illustrated through a loose style of pen-work that adds to the story-like quality of her narrative, pushing the reader to further see the story as a fictional representation of reality. She draws with a watercolor-like technique to add to the dreaminess of her narration. This effect is observed through the simple facial structures and color combinations that she uses in the following comic strip, such as a simple profile of the main character. Is it a problem that her calligraphy is more childish than some 5th graders’ drawings?


NO! We believe that Glidden meant to follow this format, as her soft and simple style is a clear strength that differentiates this story from other ones. Her simplicity invites you to take the character’s perspective, giving you a more personal connection with the story. Glidden shares her experiences regarding learning the truth about the Israeli culture through the use of an uncomplicated drawing style. While her conflicts can be described in a textbook or through loosely-related series of photo journals, the only way to achieve a personal connection with Glidden’s story, like we did, is through a graphic novel. We found this representation to be a very effective tool that assisted us while we followed her through her journey.

Overall, Glidden’s novel effectively illustrates the author’s experiences regarding her understanding with her religion and culture. While skeptical of the Israeli lifestyle at first, her birthright trip brought to light a new perspective about Israel. Glidden’s 206 pages of action, doubt, and realization allow us to read this novel through an unbiased and factual lens. While the memoir lets us understand Israeli side of the conflict, Glidden never exposes us to the Palestinian side. Never offering a resolution, Glidden leads us to form our own opinions and reach our own conclusion about the conflict. Ultimately, where we decide to stand is up to us.

1 comment:

Michael Hancock said...

Your review is detailed and specific and tends to back up its assertions with text. You anticipate the reader's needs with a link to a reliable website for background on the conflict. You also let the reader know what you appreciate about Glidden's comic and why. The pop culture references leaven your approach to a serious topic with humor.

There's a tension between describing Glidden's account as "unbiased and factual" and acknowledging that it doesn't represent the Palestinian side of the conflict. Doesn't the book's value largely come from Glidden's subjectivity? One small aside: you refer to Glidden's comic as a "novel" in a couple places; "graphic novel" or memoir would be more accurate.